BT News

Keep up with our current projects, collections, ideas and announcements here

We were delighted to release Michele Wang’s Capsule last week. This book represents a tremendous amount of labor and love, and we think Michele’s beautiful aesthetic truly shines in this focused collection. We chatted with her about this project for today’s blog post.

 

 

You’ve been designing for Brooklyn Tweed for six years, preparing an amazing 59 pieces for the seasonal collections. Did planning your Capsule book feel different from your usual design process?

It definitely felt different because there was the pressure of being the only designer. For the seasonal collections, the planning is collaborative and what we end up designing depends greatly on what the other designers are contributing. For the Capsule, it was nice to be able to design all the pieces I wanted to for the collection, but it’s also a lot of pressure — more pressure than I like or am used to! After this solo effort, I appreciated working with a team so much more.

You’ve created a lot of iconic garments that have helped to define the house style at BT; you’re especially known for your cables, and they figure prominently in this collection. What do you love about cabled texture and where do you find ideas for new motifs?

There are so many things I love about cables! I think I always come back to cables because they transcend time and trend. The same cable used in one way feels traditional, but in another setting can yield an updated, trendy look. I also love cables because they’re so much easier to knit than they look! They’re visually impressive, yet all you’re doing is working stitches out of order. To design new motifs, I depend greatly on stitch dictionaries. They’re an endless source of inspiration for me. I love flipping through them as you’d peruse a catalog, imagining where I would use a certain cable or what it would look like in a particular yarn. From there, I’ll usually play off of one motif and grow some supporting cables, changing the scale or introducing a mirroring effect.

The theme of your Capsule is loungewear. Did you know that would be the focus from the outset, and can you tell us what inspired that choice?

I did know that would be the focus and theme. I presented a mood board to Jared way in the beginning and he liked it, so we went from there. For me, hand knits are all about loungewear. Like Mr. Rogers, I love coming home and throwing on a big cardigan. There’s something about it that feels like a hug, and it grounds me. There’s nothing better than putting on a handknit (or many), some fuzzy slippers, making yourself a hot beverage and settling in for the evening. Handknits are a necessity for lounging!

Do you have a favorite piece from this collection? How do you imagine wearing it?

Wow, that’s a tough question. I guess the obvious answer would be Aspen. It’s everything a piece of loungewear should be: cabled, robe-like, with a shawl collar and waist tie. I envisioned a knitter reaching for this cardigan when she plans on staying in her jammies all day!

We confess we may have done a bit of working from home in jammies during Portland’s successive snowstorms of late, and Aspen (or Radmere, her masculine counterpart) would have made the experience so much more glamorous!

How about you, knitters? Do you have an early favorite from Michele’s new collection? How would you wear it?

View Comments Leave a Comment
Share
Categories:

Michele Wang has gained a passionate following amongst knitters who love her comfortably stylish garments, opulent cables, and modern shapes. We are so proud to present a new single-designer collection from Michele as the second volume of our Capsule series. The eight patterns in this handsome printed book express her love of loungewear and bring true elegance to cozy living.

Michele’s signature cables leaven chunky knits like Hague and Bingham, create motion and energy in Celyn and Cleridae, build up bold structure in Ilia, and stop traffic with Aspen and Radmere. And when you need palette-cleansing minimalism, Palmer makes a soothing stockinette-based knit that’s bound to become a staple in your closet.

Shot on location in a beautifully renovated Portland apartment and on the streets of the Nob Hill neighborhood, the book is an invitation to relax and dream as you plan your next knitting journey. Photographer Jared Flood’s sensitive eye captures every detail of the garments and reveals the thoughtful design that makes them such a pleasure to knit and wear.

All patterns are worked in our woolen-spun Targhee-Columbia yarns —Shelter, Loft, and Quarry — and are presented in Brooklyn Tweed’s educational format with accurate schematics and thorough descriptions of special techniques. The 138-page softcover book is available at BT stockists around the world; it can also be bundled with an optional e-book if purchased through our web store. We’ve made this book as eco-friendly as possible, printing on Forest Stewardship Council-certified paper at a US facility powered by 100% renewable energy.

Michele hopes you’ll find garments in these pages that will become old and treasured friends. We hope you’ll agree with us that her new collection is hygge gold and give yourself permission to lounge in serious style! Pull on your shearling slippers and pour a mug of steaming cocoa to browse the book preview on our website today.

View Comments Leave a Comment
Share
Categories:

news_saco_river_spotlight_banner_02

Today we’re taking you behind the scenes to show you where Arbor gets its vibrant color: all aboard the bus for a field trip to Saco River Dyehouse!

When we set out to create a new palette of solid colors for Arbor, we felt Saco River Dyehouse in Biddeford, Maine would be the ideal partner for the job. We first worked with them on the colors for Plains, our single-batch Rambouillet laceweight, and the chance to collaborate on a fuller range of colors for Arbor was truly exciting. Apart from their skill at creating beautiful hues, Saco River stands apart in terms of environmental stewardship. This venerable company, which originally operated in Manhattan, changed ownership in 2012 and moved to an historic mill building on the banks of the Saco River in southern Maine. On a mission to bring their old-world craft into alignment with modern technologies and concerns, the dyehouse focused on making its processes organic and environmentally friendly. In 2013 it earned organic certification under the GOTS International Textile Standards, the only yarn-dyeing operation in the United States to have done so.

news_saco_river_spotlight_02

Brooklyn Tweed’s woolen-spun heathered yarns are dyed in the fleece, but Arbor is different. It was spun in its natural sheep’s fleece white and then dyed in the skein. Skein-dyeing is a labor intensive and scientific process. It requires careful handling of the yarn and precise calibration of temperature and water flow to protect the lofty softness of the wool. The dyes must be mixed with perfect accuracy; it takes years of experience to master the chemical recipes that produce various colors and to achieve predictable and repeatable results—blue-greens are notoriously finicky, and even a single grain of pigment more or less can alter the final shade. The temperature must be adjusted over a process of several painstaking hours to develop certain colors or prevent a shift to unwanted overtones. Translating Jared’s vision for the Arbor palette into the final colors required many months of collaboration and test batches, but all that effort was well worth it. We love the depth and saturation the Saco River dyemasters were able to achieve.

news_saco_river_spotlight_di_02

We’re excited about our partnership with Saco River Dyehouse and hope you’ll enjoy the many colors they’ve helped us create!

View Comments Leave a Comment
Share
Categories:
bt_group_photo_02_caption_white

We’ve loved following along with the Slow Fashion October movement this month and thought we’d join in the fun with a group photo featuring our Portland office team in their handknits.

Regardless of whether or not you participated in Slow Fashion October, we appreciate that there is a time set aside to have these conversations, which can be continued throughout the year. Read more about Slow Fashion October on the Fringe Association blog.

And in case you’re wondering what we’re wearing(!), patterns from left to right are: Stasis (Loft), Rift (Shelter), Manzanilla (Arbor), Sous Sous (Arbor), Little Wave (Shelter), Timberline (Shelter), Hayward (Loft), Freeport (Shelter doubled), Grettir (Shelter).

View Comments Leave a Comment
Share
Categories:

One of our favorite aspects of curating Wool People collections is the chance to collaborate with designers we haven’t worked with before. Our submissions call is open to everyone and we love seeing fresh ideas. Stacey Gerbman, Nadia Crétin-Léchenne, Rebecca Blair, Christine de Castelbajac, and Kerry Robb contributed designs to Wool People 10 for the first time, and we were smitten by their beautiful work. We wanted to feature these newly minted Wool People on the blog today and hope you’ll enjoy following them as their design careers unfold.160604_NEWS__Header

What’s your favorite detail about your WP10 design contribution?

Stacey: I am attracted to patterns that can be easily memorized because it’s meditative for me to truly relax while my hands move through the process of creating a garment. I fell in love with the simplicity and rich texture of cables, knits, and purls from the moment I finished the first swatch for the Migration cardigan.

Nadia: The fabric. I’m very fond of garter stitch. Knitted with Plains, the Scalene shawl has such a nice drape. It’s soft and springy — all that I like in a spring garment.

Rebecca: Kierson’s braided cable panels come in mirror-image pairs for a subtle touch of symmetry.

Christine: My favorite detail of Loess is the different sizes of pattern strips. They create a modern effect so people will never be bored of knitting this elegant shawl.

Kerry: Aquinnah has many little details I love, though I’m partial to the long lines of twisted rib. I think they separate the cabled elements nicely and draw the eye along the length of each piece.

 

160604_NEWS__image 02

 

Any interesting techniques in the design you’d like to tell knitters about?

Stacey: Migration was the first time I used a sloped bind-off, and I am so happy with the result. This technique gives a perfectly angled shoulder seam, avoiding the stair- step effect that can happen when binding off stitches traditionally at the shoulder and underarm.

Nadia: Scalene is “beginner friendly” — all the techniques I used are really simple.

Rebecca: Substituting garter stitch as the background for a cable design is a simple but effective way to change up the look — it lends a lightness to the finished appearance, as the cables appear to float above the furrows.

Christine: You will love Indian Cross Stitch. It’s an unusual technique, but you will have a lot of fun knitting it and the subtle effect of transparency is stunning.

Kerry: I’m especially happy with the selvedges that run along the long sizes of Aquinnah. I swatched (and swatched!) and eventually landed on a version of an I-cord selvedge that suits the design very well, and it’s also fun to knit.

 

160604_NEWS__image 03

 

What’s your favorite place to knit?

Stacey: I wish I could say a special corner of my studio or on my porch swing. The honest truth is most of my knitting gets done on my couch in front of my TV after my 3-year-old son is in bed. Lots of late nights watching Netflix seems to be where the majority of the work gets done!

Nadia: I’m not a “knit everywhere” person. I like to knit on the couch, in the garden or even in my bed, but I don’t knit much outside my house. I’m a homebody.

Rebecca: At my kitchen table, in the morning, with a fresh pot of coffee to hand.

Christine: My favorite place to knit is in my living room near my fireplace when the leaves are red outside.

Kerry: I do most of my knitting at home after my kids go to bed in the evening. But I think my favorite place to knit is in my studio, curled up in a wrap, and sitting in front of my sturdy little space heater. I have some nice Christmas lights draped over my workspace, and it feels like winter even in the middle of summer, thanks to the building’s always being cold.

 

160604_NEWS__image 04

 

Who inspired you to start designing knitwear?

Stacey: My mother taught me how to crochet at age 8 after much begging and pleading. Once she saw how much I enjoyed the craft she fully supported me — we went on many after-work shopping trips to the local craft store so I could buy yarn to make my dolls new clothes. That never-ending belief in my creativity led me pursue a career in textile and knitwear design.

Nadia: I could name many designers, but I have a sort of “golden triangle:” three ladies that I’m admiring for their work, their creativity, sensibility and experience: Veera Välimaki, Gudrun Johnston and Ysolda Teague. I wish to be as good as they are, one day.

Rebecca: It did not occur to me until I read Sharon Miller’s magnificent reference book Heirloom Knitting that it is totally possible to rearrange and recombine different stitch patterns into any configuration, to fit into a given space or create a particular effect.

Christine: My mother. She was a wonderful woman and taught me most of my knowledge. She disappeared too early and I miss her. She would be proud of me.

Kerry: Honestly, it was yarn that inspired me to start. I taught myself to knit a couple of years ago, and everyone was talking about how much they loved superwash, so that’s what I used. But as I learned more about fiber and different breeds, I began to appreciate wool and other fibers in a new way. I’m a very tactile person, and as I began to fall in love with certain fibers and yarns, I yearned to create something new in homage to the people and animals whose work had gone into each yarn. I’m particularly passionate about yarns produced in the US, and I’m so proud to have designed something for Brooklyn Tweed.

View Comments Leave a Comment
Share
Categories:

When we think about summer knitting, lace shawls are always high on our list. We like to knit wool all year, but switching to laceweight during the hottest months keeps our core temperature within reason as well as satisfying our fingers. So we’re delighted to have six new patterns written for Plains amongst our options since the release of Wool People 10. This limited-edition laceweight Rambouillet is really a house favorite at BT, and we thought we’d spotlight those new lace designs on the blog today. We’ve sorted them by challenge level to help you pick a project that suits your summer knitting ambitions.

160521_NEWS__image_01

Feeling Mellow

Are you new to lace knitting? Or maybe just in the mood for a relaxing project you can knit in a friend’s backyard with a summery drink in hand? Try Scalene or Loess. These patterns are the knitting equivalent of grabbing an inner tube to float the river with a bunch of friends on a hot day.

Scalene
Nadia Crétin-Léchenne

An asymmetrical garter triangle enlivened by just a hint of lace patterning. As you’re knitting the body of the shawl, there’s only a single panel of the motif to think about. The chart is predictable and easy to memorize. By the time you get to the long edge, your fingers will know what to do and you’ll be ready for the little bump in difficulty that a repeating motif represents. If you can work a k2tog and an ssk, you can knit this shawl. If you’re uncertain about working from charts, this is a good practice piece.

Loess
Christine de Castelbajac

Sssh…don’t tell, but Indian Cross Stitch isn’t actually lace knitting at all: it’s a cable variation! The openwork effect comes from wrapping the needle with the yarn before you work the next stitch, dropping the wraps, and then passing the resulting elongated stitches over their neighbors to knit them out of order. The intricate woven texture of this stitch looks far more complicated than it really is. And in Loess, the bands of Indian Cross Stitch appear with organic spacing to punctuate swathes of soothing stockinette, so there’s no pressure to watch your pattern like a hawk. No one will ever know if you accidentally work a few extra rows in one pattern or the other. In short, this is perfect social knitting.

160521_NEWS__image_02

Feeling Energized

If you’ve developed an appetite for a little more lace action but still want to ease in gradually, we suggest Haro.

Haro
Sarah Pope

This small crescent begins with good old garter stitch. It’s shaped with short rows so you can get comfortable with the wrap and turn technique, but there’s no need for a follow-up maneuver to hide the wraps—the garter bumps do that for you. The shawl breaks into Fir Cone Lace, one of the simplest lace motifs ever devised, and there’s no shaping to distract you while you’re building your confidence. The spicy part is the edging, where you’ll work yarnovers and decreases on the right and wrong sides to form little trees.

160521_NEWS__image_03

Feeling Confident

Comfortable with lace knitting and ready for a substantial project? Saiph and Amarilli are both intermediate-level knits, dressy enough to wear to weddings or to sweeten any summer look.

Amarilli
Amy van de Laar

This ornate triangle can be worked from charted or written instructions—knitter’s choice. There’s a lot going on as the floral bouquets take shape, but once you’ve worked a few repetitions they’ll begin to seem intuitive. Wrong-side rows require switching between knit and purl to maintain transitions between stockinette and reverse stockinette during the body of the shawl. Since the knitting begins at the center top with a garter tab cast-on, you can cement your understanding of the pattern over a small number of stitches.

Saiph
Irina Dmitrieva

Geometric motifs flow in both directions down the wings of this stole. The techniques aren’t difficult, but you’ll need to track your progress over multiple large charts and master the provisional cast-on to begin at the center. There are “resting” rows on the wrong side throughout, except for the resolution of double yarn overs. Saiph is the kind of knitting you’ll want to do at peaceful moments, though you may find that you can easily read the lace once you get into the rhythm of the motifs.

 

160521_NEWS__image_04

Feeling Unstoppable

Sometimes there’s nothing more satisfying than tackling a challenge. If you’re in the mood for an engrossing knit, look no further than Lily Go’s crescent of ethereal lace butterflies.

Lunette
Lily Go

This shawl is worked from the trailing edge upward, so the first hurdle is the large cast-on. (We recommend placing stitch markers at regular intervals so you can count easily!) With four different sizes included in the pattern, you can choose just how dramatic you’d like to go. The butterflies take shape through a four-step process clearly explained in the directions. Lunette requires you to work from charts, and you’ll need to watch three charts at once when you reach the upper portion.

As ever, we’re all looking forward to seeing your projects take shape! Please do tag them with #BTinthewild or #WoolPeople if you’re sharing online so we’ll be sure to spot them.

Happy knitting!

View Comments Leave a Comment
Share
Categories:

Wool People 10 Cover

 

Welcome, Wool People! We’re thrilled to introduce a tenth collection of garments and accessories conceived by independent designers and curated by Brooklyn Tweed. This edition was the first opportunity for Wool People to make full use of our current stable of yarns, and we were particularly excited to see what the creative minds of the knitting world would imagine in Plains, our limited-edition laceweight Rambouillet.

BLOG_wp10_plains

With half the collection being floaty lace accessories, it only seemed right to balance things out with the pleasing structure and heft of cables, so you’ll find chunky coats and mid-weight sweaters aplenty in this well-rounded collection. As the seasons are turning all around the globe, we love the thought of a knitter in New Zealand casting on a cozy cardi like Marylebone while another here in Portland is starting a lace crescent like Haro or Lunette to wear over tees and sundresses (or getting a jumpstart on a new cableknit wardrobe staple for next fall!).

BLOG_wp10_cables

Our contributors are a wonderful mix of new and familiar faces from around the planet. One of our favorite aspects of Wool People is the open submission call that puts budding design talent on the same stage with established luminaries. Over the next few weeks we’ll be posting brief interviews with the designers whose work is appearing in Wool People for the first time, and we hope you’ll enjoy getting to know them.

BLOG_wp10_final_image

We also look forward to sharing some scenes from Saco River Dyehouse, one of our partners in producing Plains, to show you more about this yarn’s journey to your needles.

Enjoy the collection!

 


Quick Links:

View all the patterns   |   View the Lookbook  |  View Collection on Ravelry

View Comments Leave a Comment
Share
Categories:

plains_header

 

Plains is our first foray into intensely local, limited-edition yarns. We teamed up with Mountain Meadow Wool Mill in Buffalo, Wyoming to develop a 2-ply laceweight yarn that celebrates the exceptional bounce and liveliness of the American Rambouillet fleece. This downy soft wool, perfect for next-to-skin wear, takes blocking beautifully despite its elasticity. Spun worsted for strength and stitch definition, Plains retains a hint of thick-and-thin rusticity that shows the breed’s particular character and reminds you that you’re knitting close to the source.

mountain_meadow_01

Mountain Meadow is a woman-owned and family-operated spinning mill dedicated to supporting neighboring ranchers and raising awareness about ranching culture in the American West. Their commitment to eco-friendly operation and fair prices for farmers resonates strongly with our own desire to contribute to the revitalization of the American wool industry.

 

PLAINS_notebook

 

Plains was organically skein-dyed in a focused palette of ten serene colors at Saco River Dyehouse in Biddeford, Maine. Saco River is a Global Organic Textile Standard (GOTS) certified dyeworks and operates with the keenest possible focus on ecological and sustainable practices.

mountain_meadow_02

Because Plains represents a special collaboration on a limited batch, when it’s gone, it’s gone. Since there isn’t enough to supply all of our flagship retail stores, the yarn is available only on our website. Each skein contains a generous 440 yards, so you can knit a whole project with just one or two hanks.

plains_patterns

Our design team created three lace shawl patterns (shown above: Bauhin, Selune and Lucca) especially to put Plains through its paces; you can also use Plains in place of Loft for any of the lace accessories in our archive to achieve an even lighter effect.

We look forward to seeing what you’ll make with Plains!

 

View Comments Leave a Comment
Share
Categories:

COVER_btw16_drop

We’ve been looking forward to the clean slate of January, which brings with it a fresh year and a sense of calm after the hectic holidays. Our gift knitting is done and dusted and we can’t wait to cast on ambitious new projects for ourselves. So in the spirit of new beginnings, it’s with great excitement that we announce our Winter 16 collection.

BLOG_btw16_launch_Garment Spread 01_edit

Whether you’re in the mood for a lace shawl or a long coat, a quick hat or a chunky pullover, you just might find your next project among these eleven garments and five accessories. Inspired by modern minimalism and everyday wearability, this collection celebrates the stark beauty of the season with clean lines and simple shapes.

BLOG_btw16_launch_Plains Spread 01

Winter 16 features all three of our core yarns — Shelter, Loft, and Quarry — and we’re also unveiling a very special surprise: a brand new, single-batch laceweight wool we call Plains. It’s our first foray into collaboration with new partners to offer intensely local, limited edition batches. We worked with the team at Mountain Meadow Wool Mill in Buffalo, Wyoming to develop this lively two-ply laceweight that celebrates the unique qualities of the American Rambouillet fleece. Worsted-spun for strength and stitch definition, this downy soft wool is perfect for next-to-skin wear and takes blocking beautifully despite its elasticity. (Read the full story on this exciting new project in the lookbook.)

BLOG_btw16_launch_Plains Spread 02

Plains is available for purchase on our website, along with all the new patterns. This small-batch yarn won’t be carried in stores and once it’s gone there won’t be anymore. Since the put-up is a generous 440 yards, you can knit a project in just one or two skeins. If you’d like to try this bouncy, slightly rustic yarn, it’s available online for as long as our supply lasts!

We hope the New Year brings you good knitting. We can’t wait to see what you’ll make of our new collection and with our newest yarn!

 

 


Quick Links:

View all the patterns   |   View the Lookbook  |  View Collection on Ravelry

View Comments Leave a Comment
Share
Categories:

We are so gratified by your warm response to Olga Buraya-Kefelian’s Capsule Collection for Brooklyn Tweed. Last week Jared shared the story of developing the Capsule idea and inviting Olga to participate; now it’s Olga’s turn to tell you about her journey into knitting design and her work on this special project.

 

NEWS_olga_interview_0000_Olga Banner

 

Your body of work speaks for itself, but can you tell us a bit about your background? How did you come to knitting design?

Growing up in Belarus, I learned a set of crafting skills — knitting among them — from my mother and grandmother. Those skills were necessities of our daily life during that period. During my teens my grandmother taught me how to crochet, and it seemed much easier than knitting at the time. My mother taught me some fundamentals about knitwear design, but mostly how to calculate knitwear based on gauge, as we didn’t have access to many knitting patterns. She is a professional seamstress, so you could say an interest in fashion was passed with the milk. I remember earning my pocket money by tracing patterns for her in different sizes, and that also helped develop my knowledge and understanding of basic clothing construction. But it wasn’t until my early twenties that I turned to knitting as a hobby and a distraction to cope with the hardships of military life. Living overseas and not having an opportunity to work can be quite challenging; knitting has really been therapeutic. As my nomadic lifestyle provided me with inspirations, knitwear design became a way to channel those artistic urges. During the past decade, my passion outgrew hobby status and became a full-time job, my profession.

NEWS_olga_interview_0003_flats

We’d love to know more about your time in Japan. How did the environment and culture influence your development as a designer?

We had a choice for my husband’s last tour overseas prior to returning to civilian life, and Japan was in the cards. We decided upon it with excitement — at that time I was working on a self-published title with my friend and co-author Vanessa Yap-Einbund featuring all Japanese yarns. I’d been dreaming of having a chance to live there and experience the unique culture. Japan seemed so different to my European/Westernized mind and mentality, but I credit those differences with helping me absorb and appreciate even more. Being naturally very curious and observant, I found myself elated that every mundane thing there was full of thought and detail. I filled my notebooks with ideas and numerous designs, which I love perusing now when I am working on something new. Inspiration is everywhere and to me Japan provided a lot of it; it also taught me to notice even the tiniest details now that I am back in the States. Our four-year post allowed me to concentrate on establishing my pattern brand olgajazzy, sold via my website and Ravelry. And now I have moved on to wholesaling my printed patterns directly to yarn stores worldwide.

You’re known for your ability to create fabric with sculptural qualities and to make unexpected shapes wearable. When you design a piece like the Tatara armwarmers, what’s your thought process? 

My design process may sound a bit backwards to many people, since I prefer to begin with designing or customizing a stitch pattern rather than setting out to create a new hat or a new sweater. Oftentimes, it’s a matter of desiring a certain movement of stitches and fabric and then testing the idea in a swatch. The natural next step is picking the right yarn to highlight the features of the stitch pattern, and that does take much longer than one might think. Swatching and blocking numerous choices allows me to anticipate the effect in a finished garment. Once I’m satisfied with this stage, I try to imagine the best possible way to display the stitch pattern — as a collar on a sweater or a hat or an all-over fabric on a cardigan. It’s a very long and tedious vetting process, but I’ve found this is what works best for me. The Tatara armwarmers were a marriage of technique and a goal for a finished look — I wanted a scrunched-up style that wouldn’t produce an awkward volume of fabric. And I personally love the geometric shape the Tataras acquired as a result. When laid out flat, they almost become objets d’art.

 

NEWS_olga_interview_0001_Tatara

 

Do you have a favorite garment from the Capsule collection? 

That is such a hard question; I love all of them! I have devoted a significant amount of time to develop each one with a lot of precision and attention to detail. But if I have to name one that I am most proud of, it would be Tetrapods — my first original lace stitch pattern. And the Nobu pullover has quite an elaborate construction that I admire; it’s just full of architectural texture.

 

NEWS_olga_interview_0002_Tetrapods and Nobu

 

What’s inspiring you nowadays?

I’m always looking back through my notebooks. Throughout the years I have disciplined myself to record ideas and stitch patterns and even color pairings. And I tend to go back to my earlier work as well, trying to catch a train of thought that moved me toward a certain design and looking for other ideas I can attach to make something new.

Thanks so much for sitting down with us today Olga! We feel so grateful to have gotten the chance to collaborate with you on this project, and wish you all the best in your next design adventure(s). 

Thank you!

View Comments Leave a Comment
Share
Categories: